The fight doesn’t last long, since Judge Ravonna Rennslayer (Gugu Mbatha-Raw) soon breaks up the party, but it’s incredibly refreshing in the grand scheme of the Marvel Cinematic Universe. Here, the scene is immediately intriguing (thanks in no small part to Natalie Holt’s alluring score), and it’s driven by Loki’s desire to learn more about his opponent. When Loki catches up to Sylvie, knives in hand, their fight is more of a careful dance than one of Marvel’s usual beat-’em-ups, the rote and often pre-visualized scenes that - outside the first two Avengers films - generally feel disconnected from the story. A wide shot of Sylvie taking out a few remaining Minutemen draws us into an ornate hallway, and centers the golden elevators that supposedly lead to the Time Keepers. Parts of this sequence fall into Marvel’s usual trap of shooting fights without clarity and constantly cutting on impact ( a larger Hollywood problem), though once the obligatory, up-close second unit bits are dispensed with, director Kate Herron’s penchant for revealing character through movement begins to shine through. Loki wants to learn more about Sylvie’s powers, which she tries and fails to enchant him with, and while Sylvie is hardly explicit about her intentions, there remains a looming sense that her attempts to get Loki to open up are less about making a connection, and more about finding ways to invade his memories.Īfter a brief recap of Sylvie enacting her plan, the episode kicks off with an action scene back at the TVA. Along the way, they reveal things about themselves to one another, with each actor’s performance hinting at subdued vulnerabilities - but they’re also both tricksters with their own agendas. The episode follows Loki and Sylvie making their way across Lamentis-1, a planet on the verge of apocalypse. Perhaps, continuing the said offering for 10 more minutes would've made it more difficult to decide at which point to cut off the episode.However, the key purpose served by this introduction is to colour what might otherwise be a bland series of character exposition. Despite the odd duration, this is most likely a case of the narrative dictating the pace and manner of the show's storytelling. However, looking at the way its story played out, it seemed like a prime point to cut the story, with the rest of Loki and Sylvie's adventures in Lamentis-1 continuing in episode 4. Given this, many were left understandably wondering why Loki episode 3 was shorter, as it also barely set up the narrative for the next episode. Whereas the first two outings of the show clocked in at 51 and 54 minutes, respectively, its latest installment only ran for 40:58 minutes - a time that includes the recap at the beginning and the credits at the end, with no additional stinger. Like in Loki episode 2, this week's offering also ended on somewhat of a cliffhanger, but with a much shorter runtime. Related: Loki May Have Just Hinted At Thor's Future But before the pair can even begin to plot new ways to survive, the outing was suddenly done, as the episode finished. Unfortunately, each of their schemes failed when the Ark - their last chance to get out of the doomed place - got unceremoniously destroyed, leaving them in an even more dire situation. As the planet is hours away from being totally destructed and their TemPad not working, they had to develop an unlikely alliance in an effort to save themselves. After successfully escaping Judge Ravonna and her guards, the pair found themselves transporting to Lamentis-1. While the first two episodes of Loki saw the God of Mischief getting acquainted with Mobius and the whole of TVA, episode 3 saw him spent his time with the variant.
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